Ultabati

Discover the allure of Ultabati Singing Bowls, impressively large and caldron-like in appearance. Originating, perhaps, from East Nepal, these bowls range from 8 to 15 inches (20 to 38 cm) and boast stunning aesthetics. With a history hinting at ceremonial use and meticulous preservation, Ultabati bowls are known for producing low, sonorous tones and the resonant OM sound. Explore their unique features, distinctive from Jambati bowls, and embrace the rarity and demand that surround these captivating instruments.

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Ultabati Singing Bowls, with their enigmatic origins possibly rooted in East Nepal, emerge as captivating artifacts within the realm of antique sound instruments. Characterized by an impressive size reminiscent of a caldron, these bowls, ranging from 8 to 15 inches (20 to 38 cm) in diameter, exude an aura of mystery and aesthetic allure.

Preservation and Care: Ulta bati bowls often exhibit remarkable states of preservation, suggesting a history intertwined with ceremonial, ritualistic, or musical use. The meticulous care bestowed upon these instruments hints at their significance in various cultural and spiritual contexts. Furthermore, evidence points towards their role in the dry storage of grain in more recent times.

Physical Characteristics: Distinguished by their stunning good looks, Ultabati bowls feature gracefully sloped sides and a substantial flat bottom. The external walls may showcase two contrasting surface finishes, with a distinctive boundary typically marked by a single incised line. The downward-sloping lip, smooth to the touch and adorned in a natural bronze hue, sets them apart. The inside of the bowl is often finely polished, exhibiting a beautiful golden bronze.

Acoustic Qualities: In the realm of sound, Ultabati bowls stand out with their ability to produce wonderfully low sonorous tones. With thinner walls than their Jambati counterparts, Ultabati bowls offer a vibrant energy that translates into rich, resonant sounds. Their fundamental notes predominantly resonate in the low second and third octaves, whether struck with a padded mallet or played around the rim with a leather ringer.

OM Sound and Vibrant Patterns: A noteworthy feature of Ultabati bowls is their capacity to generate the low humming OM sound, a resonance cherished in Buddhist practices. When filled with a bit of water, these bowls become artistic canvases, producing vibrant surface patterns and spectacular fountains, adding a dynamic dimension to their allure.

Decorative Elements: The unique hammered walls of Ulta bowls sometimes exhibit two contrasting surface finishes, creating visual interest and reflecting light in subtle ways. Decorative elements, such as concentric circles radiating from the center of the basin, enhance the aesthetic appeal. Occasionally, an incised (not punched) inscription may be found below the scooped shoulder or collar, providing a glimpse into the bowl's individual history.

Rarity and Demand: Ulta bati Singing Bowls, now considered rare and in great demand, occupy a special place among collectors, healers, and sound therapists. The scarcity of these bowls, coupled with their distinctive features and historical resonance, contributes to their elevated status in the world of antique sound instruments.